Esthetics · Miss Charvi
Skin analysis, facials, and the ancient treatment arts — Ayurveda and its potlis, Chinese, Korean and Japanese rituals — performed live on doll clients in rooms like Greek baths.
Our Doll House is the doll house of the House of Shringhaar — where a world of more than a thousand dolls — hers first, and one day every doll keeper’s — is dressed, jeweled, and made over by the henna hands of Antim Bansal. Doll brides from Hollywood to Bollywood, starlets, Victorian ladies and storybook girls — every one of them receives new dresses, jewelry beyond imagination, and henna drawn on by hand.

She is the standard of this house — the face every film is measured against. Porcelain skin, pearls at her brow, kundan at her throat, and in her eyes the whole story of a bride: the joy of the day, and the leaving inside it. Her film, The Journey of the Indian Bride, is made and sealed — it opens when the house opens.
From her frame, the Wall fills: every doll named first, then her world created around her.
The professional studio and academy — and the shop for all Refresh-labelled skin care and cosmetics.
Services, lesson films, and rental jewellery — dressing and rentals always in person, by her hands.
The clothing line — bridal, glam, and festival dresses — with brass & jade décor from India.
The mother house — the story, the atelier, and the family gathered under one roof.
Doll makeovers, bridal doll movies, and doll accessories — houses built only for dolls, dressed by henna hands.
Every bride in this room is dressed exactly as in the film she worked in — the same lehenga or gown, the same jewelry, the same mood — made over piece by piece before your eyes: the outfit fitted, the makeup laid in a master's order, the jewelry layered on, and henna drawn onto her small hands as the final signature.

Actress dolls recreated from their most beloved film looks — Nimbooda's teal, Chamma Chamma's sparkle — every bead and jhumka true to the screen.

Our crown episode: one doll receives all sixteen adornments of the Solah Shringhaar — bindi to kumkum — in miniature, the house's signature kit worn by its smallest bride.
White satin, cathedral veils, and diamonds — the Hollywood bride arrives with the same ceremony as her Bollywood sisters, in the glamour register of old cinema.
The Starlets room is a love letter to old Hollywood. Each starlet doll is unboxed like a ceremony, dressed and redressed in her most famous gowns — and in our signature format, her whole Wardrobe, Piece by Piece, one true story riding on every dress.
The Starlet Collection doll: pink satin and long gloves, then the beaded mermaid gown from the same box — diamonds, heels, and a fur stole, changed on camera.
The little black dress, the Sabrina gowns, Roman Holiday's scarf and flats — elegance walked piece by piece, exactly as the films left it to us.
Our documentary register: one icon doll, her wardrobe opened piece by piece, each dress placed on her as its true story is told. Facts truthful; scenes, pure dreaming.
The collector dolls live here — the vintage names, the Cinderella series, the story-time girls who were loved first. In this house a collector doll is never left in yesterday's dress: she receives new dresses, new jewelry, and a new chapter.
Storybook dolls dressed for the ball — glass-slipper blues, silver embroidery, tiaras — with the pumpkin hour kept kindly away.
Each story-time doll arrives with her tale; she leaves dressed as its heroine — the story sets the palette, the jewelry tells the ending.
The collector series, under their vintage names, redressed in new creations — diamonds, polki, and silk where the years had left them plain.
The quietest room in the house. Victorian dolls in lace and cameo, the French series in satin and net — vanities with hair receivers, pomade and powder, curls formed the way the era truly formed them. The setting is not decoration here; it is the lesson.
Inside the Doll Studio stands a miniature studio built only for dolls — emerald walls, a tiny chandelier, a gold vanity — and at its heart, a crystal wardrobe. This room's films are quiet: hennaed hands, tiny hangers, folded silk. No voices. Just the sounds of careful hands.
Episode by episode, the wardrobe fills: miniature lehengas hung one by one, kundan drawers opened, tiny heels shelved in pairs, dupattas folded like letters. A jewel-box world, arranged by the same hands that dress the brides.
The Trousseau films live on our Instagram and in the Watch room below — a quiet strand of the house, made to be watched the way one watches rain on a window.
When the studio sleeps, the dolls wake. The Fun Series is pure dreaming — transformations and impossible changes, made only for joy.
An ordinary evening, a spill of rose water — and a doll surfaces in a bejeweled tail, swimming to an underwater palace. Our dreaming grammar, at doll scale.
One doll, five numbered looks blooming one after another — and the audience picks which bride she becomes. The comments choose; the studio obeys.
A bride doll steps down from her shelf, opens the crystal wardrobe, and holds a ball for the whole collection — until the chandelier dims at dawn.
Room Seven · The Dolls Academy
The House of Shringhaar Institute of Dolls — a real school inside the Doll World. A Director, three faculties, and doll students who enrol, attend, and learn the whole craft properly: the world’s great beauty systems and the state-board arts, taught lesson by lesson in rooms built like palaces.
Skin analysis, facials, and the ancient treatment arts — Ayurveda and its potlis, Chinese, Korean and Japanese rituals — performed live on doll clients in rooms like Greek baths.
Hair in full: cutting, colour, and the great updos — Victorian, French and royal styles built step by step, the true craft and nothing arrived already done.
Makeup as its own faculty — faces painted like art, one true feeling at a time, under the eye of the Director, Madame Vasantika.
The Academy opens with the launch. Enrollment, lessons and the first Orientation Day are being prepared behind the doors.
This room is the home of Our Doll House on YouTube — the channel where our long films live. Short episodes arrive here and on Instagram; the movies belong to the channel.
Long films, told slowly: bridal doll movies from the House of Shringhaar, the 18-inch Victorian ladies, story dolls and Barbies in full makeover movies. Subscribe there, and every premiere is yours first.
Placeholder link — the channel opens with Antim's sign-in, and this button will point straight to it.
These are bride stories. Each movie creates one bride — from her arrival at the studio to her full bridal makeover: the dressing, the makeup, the jewelry, the henna, the reveal. The Victorian ladies, the story dolls and the Barbies keep their long films on this same shelf, each one a complete makeover movie.

She arrives plain, in a quiet room. She leaves as the house's first bride — red and gold, sixteen touches of jewelry, henna flowering on her hands. The movie that opens the shelf.
Premiere · Coming Soon
An 18-inch Victorian doll, a vanity of lace and rhinestone, curls formed the era's own way — a full makeover movie in the old-world register of the house.
Premiere · Coming Soon
The classic red-and-gold bride: outfit fitted piece by piece, makeup in a master's order, kundan layered, henna on her hands.
In Production
The crystal wardrobe opens for the first time — miniature lehengas, kundan drawers, tiny heels. A quiet ASMR film.
In ProductionBollywood brides, starlets, storybook girls — every episode ends with one question: which bride shall she become next?
Coming Soon
Every makeover in this studio is performed by one pair of hands — Antim's — hennaed, gem-set, and practised over twenty years of brides. What no other doll house carries, we carry: henna and fine tattoos drawn onto the dolls themselves, in miniature, with a real cone.
And jewelry here is a headline, never an afterthought — named, layered, and placed piece by piece:
The retail shelf of the studio — the very dresses, jewelry, and furnishings our films dress the dolls in, gathered for your own collection. Prices arrive as the shelves fill; every door below opens the day Antim opens the engines, and not a day before.
Bridal lehengas, film-true gowns, and festival dresses cut at doll scale — the same wardrobe the episodes draw from.

Kundan and polki-style sets in miniature — chokers, jhumkas, maang tikkas, jhoomars, bangles and hathphool, sized for dolls.
Long bridal hair, era curls, starlet waves — wigs and hairpieces that let a doll change her whole story in one sitting.
Glittering heels, bridal juttis, satin flats — finished pairs for finished dolls, down to the last strap.

Crystal wardrobes, gold vanities, chandeliers — and whole doll houses, built only for dolls, in the studio's own register.

Silks, nets, laces, and jewel trims at miniature weight — for makers who sew for their own dolls, as the studio does.
A world of more than a thousand dolls is dressed by many small hands around the world. This shelf is the wholesale home of our doll accessories suppliers — the makers of our miniature clothing, jewelry, wigs, furniture, and trims — each one chosen by Antim, presented here under our roof. The Shop above is fed from this shelf; when a supplier is announced, their craft arrives with its own story.
Makers of doll-scale couture — lehengas, gowns, and era dresses sewn to a doll's measure.
Miniature kundan, polki-style, and diamond-look sets — the jewelers of the small world.
Wig makers and hair suppliers for bridal lengths, era curls, and starlet waves.
Builders of crystal wardrobes, vanities, and the doll houses our films live in.
Silk, net, lace, and jewel-trim houses whose cloth becomes miniature couture.
Tiny heels, juttis, handbags, and the small things that finish a doll's whole look.
Each maker will arrive with their own page and their own craft, chosen and presented by this house — never before Antim says so.
Suppliers · Coming SoonThe Doll Studio lives daily on its own Instagram — episodes, trousseau mornings, the bride of the week. This site and the channel are one house: the films begin there, and their home is here.
Placeholder link — the account opens with Antim's hand, and this button will point straight to it. Its bio will link back home to this site.
One house · Five sisters · One pair of hands
Refresh Skin Esthetics·Solah Shringhaar·16 Shringhaar·The House of Shringhaar·Our Doll House
This door is placed, and it is beautiful — but it opens only when Antim opens the engines. Nothing in the Doll Studio can be bought or booked today: the films are in production, the shelves are filling, and every price and date will be announced here first. Browse the rooms, meet the dolls, and watch this house wake.